MODULE/COURSE HANDBOOK

 

Concept of Art Education

Module/Course Title

 

Concept of Art Education

Student Workload

 

2 Credits x 16 meetings = 90.66 hours/Semester

Credits (ECTS)

 

2 x 1.59 = 3.18 ECTS

Semester

 

I

Frequency

 

16 meetings

(include Mid-term Exam and Final Exam)

Duration

 

16 meetings

 

1

Type of course

  Lecturing (lecturing, structured assignments, independent activities)

Contact hours

 

26,67 hour/semester

 

Structured Assignment

32 hour/semester

 

 

Independent study

 

32 hour/semester

Class size

 

 

Max30 students

2

Prequisites for participation (if applicable)

-

3

Learning outcomes (PLO+CLO)

 

PLO

PLO-1 Have responsibility and discipline for work in the field of art education expertise independently or in groups.

PLO-4 Implementing fine arts science in the fields of planning, implementing, and evaluating art learning.

 

CLO

  1. Students can responsible to theoretical values, norms, and ethics in use technology to support learning activities
  2. Students can explain the nature, concept, and role of art that underlies the development of arts education design and programs in schools.

4

Subject aims/content

This course contains an assessment of the nature and role of art that underlies the development of art learning programs and their implementation as a basis for designing and implementing learning in general or vocational education institutions at the primary and secondary education levels. The lecture strategy is achieved through studying theories about the concept of art education and its implementation in schools. Learning materials: Scope of arts, education, and arts education; Education through arts; Education for arts; Education with arts; The history, reality, and discourse of arts education; Interdisciplinary in arts education; Digitalization in arts education; The development of arts education and learning in disruption era; Arts education and creativity; Arts education and its surroundings. ​​The study material is in accordance with the needs of the society community that considers interdisciplinary and technology in art education.

5

Teaching methods

 

Interactive Lecture, directed discussion, problem based learning

6

Assessment methods

 

Paper Writing and Presentation

 

7

This module is used in the following study program/s as well

Undergraduate program

8

Module Coordinator

Dr. M. Bayu Tejo Sampurno, M.A.

9

Reference:

Major

  1. Goldbergh, Merryl. (2021) Arts Integration Teaching Subject Matter through the Arts in Multicultural Settings. London: Routledge.
  2. Godlbergh, Merryl. (2000). Arts and Learning: An Integrated Approach to Teaching and Learning in Multicultural and Multilingual Settings (2nd Edition). London: Allyn and Bacon.
  3. Ki Hadjar Dewantara. (2000). Buku 1: Pendidikan. Yogyakarta: Percetakan Tamansiswa.
  4. Pamadhi, Hajar. (2012). Konsep Pendidikan Seni. Yogkayarta: UNY Press.
  5. Read, Herbert. (1954). Education through Art. New York: Faber and Faber.
  6. Sickler-Voigt, Debrah C. (2019). Teaching and Learning in Art Education: Cultivating Students’ Potential from Pre-K Through High School Book. London: Routledge.
  7. Wild, Carol. (2022). Artist-Teacher Practice and the Expectation of an Aesthetic Life. London: Routledge.

Minor

  1. Sampurno, Tejo. (2015). Seni, Melukis, Autisme. Yogyakarta: Psikosains.
  2. Wiratmoko, C., & Sampurno, M. B. T. (2021). THE ENCHANTMENT OF TIKTOK AS GEN Z CREATIVITY PLACE IN SMA NEGERI 2 SURABAYA’S BATIK MOTIFS ONLINE EXHIBITION. Education and Human Development Journal, 6(2), 1–11. https://doi.org/10.33086/ehdj.v6i2.2122
  3. Camelia, I.A. (2021) ECO-CONNECTIVITY OF ARTS LEARNING FOR MENTALLY DISABLED CHILDREN AT SLB GEDANGAN SIDOARJO EAST JAVA. JURNAL PAJAR (Pendidikan dan Pengajaran), 5(2). DOI:10.33578/pjr.v5i2.8293

Link

  1. https://www.youtube.com/watch?v=L9701H8PtUE&t=20s
  2. https://www.youtube.com/watch?v=6Krk3RdgJWc
  3. https://www.youtube.com/watch?v=o-PVD-d3-Dc

 

 

 

 

 

 

Research Methodology

Module/Course Title

 

Research Methodology

Student Workload

 

3 Credits x 16 meetings = 135.99 hours/Semester

Credits (ECTS)

 

3 x 1.59 = 4.77 ECTS

Semester

 

I

Frequency

 

16 meetings

(include Mid-term Exam and Final Exam)

Duration

 

16 meetings

1

Type of course

      Lecturing (lecturing, structured assignments, independent activities)

Contact hours

 

40.02 hour/semester

 

48 hour/semester

 

 

Independent study

 

48 hour/semester

Class size

 

 

Max30 students

2

Prequisites for participation (if applicable)

-

3

Learning outcomes (PLO+CLO)

 

PLO

PLO-6 Mastering research methodology in the field of art education

PLO-7 Able to apply logical, critical, systematic, creative, innovative thinking to solve problems in the field of art learning.

PLO-8 Able to communicate ideas to solve problems in the work of art.

 

CLO

  1. Students master art education research methods qualitatively, quantitatively, or mixed methods in the form of research proposals.
  2. Students master the principles and concepts of literature review to find state-of-the-art research in the form of research proposals.
  3. Students master the principles and concepts of data collection and how to analyze art education research data in the form of research proposals.

4

Subject aims/content

This course provides knowledge about understanding and research methods, including determining problem formulations, problem boundaries, objectives, benefits, theoretical approaches, data collection techniques, analysis processes and research conclusions. Provide an understanding of the process of selecting the appropriate theory for solving research problems and an explanation of the process of qualitative and quantitative analysis. Provide insight into research report writing techniques, with strategies for studying research theories and the practice of making research proposals

Learning Materials: Qualitative paradigm in arts education research; Quantitative paradigm in arts education research; The mixed methods paradigm in art education research

background concept; Formulating art education research problems; Literature review paradigm in arts education research; The paradigm of theoretical studies in art education research; Data collection and analysis in arts education research.

In accordance with the development of the research model for visual arts education, the study material is in accordance with the needs of the community that considers interdisciplinary and technology in art learning, how to collect data, analyze, and its display. Also, in this course, the ethnographic aspect is considered to give students real experiences about teachers in schools.

5

Teaching methods

 

Interactive lecture, direct instruction, problem-based learning

6

Assessment methods

Written work (Research Proposal Writing), presentations about research proposal

 

7

This module is used in the following study program/s as well

Undergraduate program

8

Module Coordinator

Dr. Djuli Djatiprambudi, M.Sn.

Dr. M. Bayu Tejo Sampurno, M.A.

9

Reference

Major

  1. Berg, B.L. 2007. Qualitative Research Methods for the Social Sciences. Boston: Pearson.
  2. Borg Walter, R & Gall Joyce, P. (2003). Educational Research An Introduction.Sevent Edition. USA: Library of Congress Catalogingin-Publication Data.
  3. Brannen. 1997. Mixing Methods Qualitative and Quantitative Research diterjemahkan oleh Kurde. Yogyakarta: Pustaka Pelajar.
  4. Cartwright Carol, A & Cartwright, GP. (1998). Developing Observation Skilsl. USA: Longman Inc.
  5. Cresswell, J.W. 1998. Qualitative Inquiry and Research Desain: Choosing among Five Tradition. California: Sage Publications.
  6. Cresswell, J.W.2007. Mix Method. London: SAGE Publicational.
  7. Cresswell, J.W. 2008. Educational Research: Planning, Conductiong, and Evaluating Quantitative and Qualitative Research. New York: Pearson Merril Prentice Hall.
  8. Cresswell, J.W.2010. Research Design:Qualitative & Quantitative Approaches. London: SAGE Publicational.
  9. Denzin, N.K. and Lincoln, Y.S. 2009. Handbook of Qualitative Research. Terjemahan oleh Dariyatno dkk. Yogyakarta: PustakaPelajar.
  10. Gaciu, Nicoleta. (2020). Understanding Quantitative Data in Educational Research. US: Sage Publication.
  11. Järvinen, Margaretha, and Mik-Meyer, Nanna. (2020). Qualitative Analysis: Eight Approaches for the Social Sciences. US: Sage Publication.
  12. Moleong, L.J. 2010. Metodologi Penelitian. Bandung: Remaja Rosdakarya.
  13. Sugiyono. 2010. Metodologi Penelitian Pendidikan dan RnD. Bandung: Alfabeta.
  14. Watkins, Daphne C. (2022). Secondary Data in Mixed Methods Research. US: Sage Publications.

Minor

  1. R.M. Soedarsono. 1999. Metodologi Penelitian: Seni Pertunjukan dan Seni Rupa. Bandung: MSPI.
  2. Vredenbergt, Jacob. 1978. Metode dan Teknik Penelitian Masyarakat. Gramedia, Jakarta. 37-65; 77-139.
  3. Koentjaraningrat. 1997. Metode-metode Penelitian Masyarakat. Edisi 3. Jakarta: Gramedia.
  4. Kartodirdjo, Sartono. 1988.  Metode Penggunaan Bahan Dokumen. Universitas Gadjah Mada Press.
  5. R.M. Soedarsono. 1999. Metodologi Penelitian: Seni Pertunjukan dan Seni Rupa. Bandung: MSPI.
  6. Singarimbun, Masri. 2011. Metode Penelitian Survei. Jakarta: Pustaka LP3ES.

Link

  1. https://www.researchgate.net/publication/337903411_METODOLOGI_PENELITIAN_PENDIDIKAN_Pendekatan_Konsep_Aplikasi
  2. https://www.youtube.com/watch?v=FgqlgLS0Jsw
  3. https://www.youtube.com/watch?v=yPBYhEtfyW4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Art Learning Media

Module/Course Title

 

Art Learning Media

Student Workload

 

3 Credits x 16 meetings = 136.02 hours/Semester

Credits (ECTS)

 

3 x 1.59 = 4.77 ECTS

Semester

 

I

Frequency

 

16 meetings

(include Mid-term Exam and Final Exam)

Duration

 

16 meetings

 

1

Type of course

      Lecturing (lecturing, structured assignments, independent activities)

Contact hours

 

40.02 hour/semester

 

Structured Assignment

48 hour/semester

 

 

Independent study

 

48 hour/semester

Class size

 

 

Max30 students

2

Prequisites for participation (if applicable)

-

3

Learning outcomes (PLO+CLO)

 

PLO

PLO-4 Implementing fine arts science in the fields of planning, implementing, and evaluating art learning

PLO-10 Able to design and implement art learning that applies ICT-based pedagogical and collaborative competence and management.

PLO-11 Able to apply and develop art skills to create innovative media and learning resources.

 

CLO

  1. Students understand the principles and objectives of learning media in art learning.
  2. Students can design various art learning media, both in the form of two- and three-dimensional media, manually or digitally, by utilizing computer technology.
  3. Students can develop creative skills by designing innovative art learning media for the times and generations.

4

Subject aims/content

 

This course contains an understanding of the principles of learning media, as well as training in making various art learning media, both in the form of two and three-dimensional media, based on manuals and digitally, primarily through the use of computer technology, with strategies for studying theory and practice in making art learning media.

Learning materials: Basic concepts of media, learning resources, and teaching aids; Types and criteria of learning media; Analysis of learning media needs; Contextualization of learning media; Learning media design; Production of learning media; Utilization of learning media through technology.

​​The study material is in accordance with the needs of the society community that considers interdisciplinary and technology in art learning media.

5

Teaching methods

 

Interactive lecture, project-based learning, role plays and simulations

6

Assessment methods

 

Proposal, portofolios of students work(Learning Media), presentation

7

This module is used in the following study program/s as well

Undergraduate program

8

Module Coordinator

Wening Hesti Nawaruci, S.Pd, M.Pd.

Fera Ratyaningrum, S.Pd., M.Pd.

Ika Anggun Camelia, S.Pd., M.Pd.

9

Reference

  1. Brassler, Liora. (2011). Integrating the Arts: Educational Entrepreneurship in a School Setting. Hellenic Journal of Music, Education, and Culture. Volume 2, Nomor 1. Halaman (5-17).
  2. Bryan dan Harris, (2015). The Aesthetic Value Exchange: A Potential Framework for the Arts Entrepreneurship Classroom. Journal of arts Enterpreneurship Education. Volume 1, Nomor 1, Halaman (24-53).
  3. Hackbarth, Steven. (2006).  The educational technology handbook. New Jersy: Educational Technology  Publishing.
  4. Heinich, Robert, et.al. (2002) Instructional Media and Technologies for Learning, seventh edition. Upper Saddle River, New Jersey Columbus, Ohio.
  5. Hofstetter, Fred T. (2001). Multimedia literacy 3rd ed. The McGraw-Hill Companies, Inc.
  6. Kang,  R.,  Mehranian,  Y.,  &  Hyatt,  C.  (2017).  Incorporating  an  image-  based,  multimodel pedagogy into global citizenship education. International Journal of Education & the Arts, 18(23). Retrieved from http://www.ijea.org/v18n23/ 
  7. Lewkowich,  D.  (2019).  Talking  to  teachers  about  reading  and  teaching  with  comics: Pedagogical  manifestations  of  curiosity  and  humility.  International  Journal  of Education & the Arts, 20(23). Retrieved from http://doi.org/10.26209/ijea20n23.
  8. Wands, Bruce. (2007) Art Of The Digital Age. London: James & Hudson.
  9. Wigg, Philip, & Jean Hasselschwert. (2001) A Handbook of Arts and Crafts. NewYork: McGraw-Hill.

 

 

 

 

 

 

 

 

 

Entrepreneurship

Module/Course Title

 

Entrepreneurship

Student Workload

 

2 Credits x 16 meetings = 90.66 hours/Semester

Credits (ECTS)

 

2 x 1.59 = 3.18 ECTS

Semester

 

II

Frequency

 

16 meetings

(include Mid-term Exam and Final Exam)

Duration

 

16 meetings

 

1

Type of course

      Lecturing (lecturing, structured assignments, independent activities)

Contact hours

 

26.68 hour/semester

 

32 hour/semester

 

 

Independent study

 

32 hour/semester

Class size

 

 

Max30 students

2

Prequisites for participation (if applicable)

-

3

Learning outcomes (PLO+CLO)

 

PLO

PLO-5 Analyzing and applying the scientific concepts of fine arts in entrepreneurship development

PLO-9 Able to work effectively individually and in groups and have a passion for entrepreneurship.

PLO-12 Able to develop skills and management of art work in entrepreneurship

 

CLO

  1. Students have the skills to develop innovative businesses/businesses in art and fine arts education.
  2. Students can identify and analyze trends in art opportunities and art education in the creative industry.
  3. Students can design a business plan based on creative industries in the field of fine arts and fine arts education thoroughly.

4

Subject aims/content

 

This course is designed to help students develop a business that appeals to artists and gain the essential knowledge and skills to develop a vision and strategy for the future and turn that vision into a successful business. This course contains an understanding of new creative businesses and how to create and run a business independently. Specific topics covered include entrepreneurship, starting a business, funding and sponsorship, networking, self-promotion, legal issues, negotiation and contract tactics, records, taxes and basic bookkeeping, Internet commerce, innovation and future trends with theoretical and practical strategies for making business plans.

Learning materials: Building entrepreneurial character; Increase motivation & develop entrepreneurial creativity; Develop entrepreneurial management; Prepare an entrepreneurial proposal (business plan)

See business opportunities in the field of fine arts; See opportunities for art education in the creative industry; See art opportunities in the creative industry.

The material in this course is in accordance with the needs of the community, taking into account the aspects of art-based and digital entrepreneurship.

5

Teaching methods

Interactive lecture, experiential learning, project-based learning, Fieldwork and Clinicals

6

Assessment methods

Proposal Writing, Project assessment, portfolios of students work(entrepreneurship product), presentation

7

This module is used in the following study program/s as well

Undergraduate program

8

Module Coordinator

Muchlis Arif, M.Sn.

Ika Anggun Camelia, S.Pd., M.Pd.

9

Reference

Major

  1. Alison Branagan. The Essential Guide to Business for Artists and Designers. A&C Black Publishers. 2011.
  2. Mo, S., & Shi, J. (2017). Linking ethical leadership to employees’ organizational citizenship behavior: Testing the multilevel mediation role of organizational concern. Journal of Business Ethics, 141(1), 151–162.
  3. Fran Cox (Ed.). The Artist’s Handbook: A Guide to the Business of the Arts. Africa Centre. 2008.
  4. Enhuber, M. (2014). How is Damien Hirst a cultural entrepreneur?. Artivate: A Journal of

Entrepreneurship in the Arts, 3(2), 3-20.

  1. Essig, L. (2013). Frameworks for Educating the Artist of the Future: Teaching Habits of Mind

for Arts Entrepreneurship. Artivate: A Journal of Entrepreneurship in the Arts, 1(2), 65-78.

  1. Kolsteeg, J. (2013). Situated cultural entrepreneurship. Artivate: A Journal of Entrepreneurship in the Arts, 2(3), 3-13.
  2. Kuhn, K. M., & Galloway, T. L. (2015). With a little help from my competitors: Peer networking among artisan entrepreneurs. Entrepreneurship Theory and Practice, 39(3), 571-600.

Minor

  1. Lord, C. (2012). Shattering the myth of the passive spectator: Entrepreneurial efforts to define and enhance participation in “non-participatory” Art. Artivate: A Journal of Entrepreneurship in the Arts, 1(1), 35-49.
  2. Mathew, V. & Carl, P. (2013). Culture coin: A commons-based, complementary currency for the arts and its impact on scarcity, virtue, ethics, and the imagination. Artivate: A Journal of Entrepreneurship in the Arts, 2(3), 14-27.
  3. Mark Casson, Bernard Yeung, Anuradha Basu, Nigel Wadeson. The Oxford Handbook of Entrepreneurship. Oxford University Press. 2008.
  4. Paris, T., & Leroy, F. (2014). Managing transition in an artistic company with entrepreneurial management: A case study of Groupe Bernard Loiseau. International Journal of Arts Management, 16(2). 42-54.
  5. Pollard, V. & Wilson, E. (2014). The “entrepreneurial mindset” in creative and performing arts higher education in Australia. Artivate: A Journal of Entrepreneurship in the Arts, 3(1), 3-22.
  6. Tim, 2000, Kewirausaaan, UNESA: Surabaya.

 

 

 

Textile Craft

Module/Course Title

 

Textile Craft

Student Workload

 

3 Credits x 16 meetings = 135.99 hours/Semester

Credits (ECTS)

 

3 x 1.59 = 4.77 ECTS

Semester

 

I

Frequency

 

16 meetings

(include Mid-term Exam and Final Exam)

Duration

 

16 meetings

1

Type of course

  Lecture-Lab

  Studio

Practice Lecture

 

136.2 Hour/Semester

Class size

 

30 students

2

Prequisites for participation (if applicable)

 

Ornaments

3

Learning outcomes (PLO+CLO)

 

PLO

PLO-5 Analyzing and applying the scientific concepts of fine arts in entrepreneurship development.

PLO-9 Able to work effectively individually and in groups and have a passion for entrepreneurship.

 

CLO

  1. Students understand and analyze the principles and procedures for making textile crafts.
  2. Students can make textile craft works by creating forms, techniques and media.

4

Subject aims/content

 

This course deals with the principles and procedures of making fine arts with textile craft creations, through various forms and techniques, with strategies for understanding the theory and practice of making textile crafts.

Learning materials: Overview of textiles in Indonesia; Fabricated and fabricated textiles; Written batik, stamped batik, batik motif textiles, dyed tie; Indonesian batik motifs; Batik-producing areas in Indonesia; Characteristics of batik in some areas; The symbolic meaning of batik motifs; Grouping of batik motifs; Batik motif structure; Materials, tools, and procedures for making written batik; Materials, tools, and procedures for embroidery work

 

5

Teaching methods

 

Guided instruction, project based learning

6

Assessment methods

 

Project assessment(Design), portfolios of students work(Gulijat textile), presentation

7

This module is used in the following study program/s as well

 

Undergraduate program

8

Module Coordinator

Fera Ratyaningrum, S.Pd., M.Pd.

9

Reference

Major

  1. Charles, K., Ning, Z., Rafiu, K. R., & Ruru, P. (2019). Color measurement of segmented printed fabric patterns in lab color space from RGB digital image. Journal of Textile Science and Technology, 1–18.
  2. Hamzuri. 1981. Batik Klasik. Jakarta: Jambatan.
  3. Jing, J., Li, Q., Li, P., & Zhang, L. (2016). A new method of printed fabric image retrieval based on color moments and gist feature description. Textile Research Journal, 86(11), 1137–1150. https://doi.org/10.1177/0040517515606378
  4. Jing, J., Li, Q., Li, P., Zhang, H., & Zhang, L. (2016). Image segmentation of printed fabrics with hierarchical improved markov random field in the wavelet domain. Journal of Engineered Fibers and Fabrics, 11(3). https://doi.org/10.1177/155892501601100305
  5. Kuo, C. F. J., & Shih, C. Y. (2011). Printed fabric computerized automatic color separating system. Textile Research Journal, 81(7), 706–713. https://doi.org/10.1177/0040517510383619
  6. Liu, J. L., & Zuo, B. Q. (2008). Segmentation of fabric printing patterns based on genetic algorithm. Computer Engineering and Design, 15, 3966–3971.
  7. Mo, H. F., Xu, B. G., Ouyang, W. B., & Wang, J. Q. (2017). Color segmentation of multi-colored fabrics using self-organizing-map based clustering algorithm. Textile Research Journal, 87(3), 369–380. https://doi.org/10.1177/0040517516631307
  8. Susanto, Sewan. 1973. Seni Kerajinan Batik Indonesia. Jakarta: Departemen Perindustrian.
  9. Wang, H. R. (2015). Digital protection and inheritance of intangible cultural heritage. Culture Monthly, 34, 20.
  10. Yang, X. Y. (2017). Talking about the innovative design of batik. Art Technology, 11, 174.
  11. Zeng, G. H., Wu, H., & Wang, X. Q. (2014). An automatic wheel contour extraction method. Sensors & Transducers, 2, 61–67.
  12. Zhang, S. J. (2016). Research on the strategy of establishing national batik resources database. Value Engineering, 6, 210–212.
  13. Zheng, D. J. (2015). A new method for automatic separation of fabric color. Textile Research Journal, 85(14), 1520–1538. https://doi.org/10.1177/0040517514561920

Minor

  1. Seri BIPIK 28. Zat Warna dan Zat Pembantu dalam Pembatikan. Jakarta: Departemen Perindustrian.

Link

  1. https://www.youtube.com/watch?v=j3C2r-mNj5g
  2. https://www.youtube.com/watch?v=wylWYSHkzoQ